The Gaslight Anthem, Dave Hause, Jamie Hay @ The Palace Theatre, Melbourne (14/05/2013)
How of often can you be treated to a proper rock show around Australia in these strange days of DJs and hipsters? The categorical answer is, next to never.
Luckily for anyone at the Palace Theatre on Tuesday or Wednesday night, The Gaslight Anthem put on the best and most energetic rock show seen for a good, long while in Melbourne.
The night’simpressive line up began with Jaime Hay, a Melbourne based singer-songwriter, armed with an impressive voice and an acoustic guitar whose endearing, nerve-stricken banter between songs captured hearts and interest throughout the theatre.
Touring guest David Hause put on an equally notable set with his charismatic stage presence and killer voice that converted newcomers to instant fans.
In the wake of these fine musicians, a low roar hummed throughout the theatre in excitement awaiting The Gaslight Anthem. Then, as the lights went dim and shapes moved onto centre stage that low roar became an insatiable boom.
The Gaslight Anthem began their set with the title track from their latest album, ‘Handwritten’, which was met with passion and excitement across the venue.
After hearing the first song, it was evident that The Gaslight Anthem had gathered a large and faithful horde of fans for a damn fine reason. Namely, they can rock the house down without the fancy light show and the blinking screens around the stage. As the set progressed, you could really appreciate the stripped-back performance they put on, which was more than engaging enough for them to be the sole element of entertainment on the stage.
But, when their song ‘The 59’ Sound’ came about the airwaves, I was blown away.
It was a special moment for this publication and a special moment for any fan at the venue. The song was played so powerfully that it is now and always will be one of the most memorable songs I will ever hear.
Between the genuinely hilarious interactions with audience, The Gaslight Anthem played some of their hits such as ‘45’ and ‘Great Expectations’. Both these songs continued the utter rampage of rock that sung through the night, leaving me with ringing ears and a smile on my face.
Their generous, five song encore included all time favourite ‘The Backseat’. The song was a marvel, it turned the avid audience into a beating and pulsing entity that knew this was the final one for the night and so, along with the band they gave it everything.
An unusual feeling accompanies the end of a show carried out by The Gaslight Anthem. It’s sadness and depression. No, The Gaslight Anthem in no way put on a bad performance, rather, it’s because you know it’ll be at least another year until you can see these fine boys again.
Still, I found myself smiling despite this. It’s difficult to imagine that any another band will ever again take the stage and own it the way that The Gaslight Anthem did.
Jack White
Luckily for anyone at the Palace Theatre on Tuesday or Wednesday night, The Gaslight Anthem put on the best and most energetic rock show seen for a good, long while in Melbourne.
The night’simpressive line up began with Jaime Hay, a Melbourne based singer-songwriter, armed with an impressive voice and an acoustic guitar whose endearing, nerve-stricken banter between songs captured hearts and interest throughout the theatre.
Touring guest David Hause put on an equally notable set with his charismatic stage presence and killer voice that converted newcomers to instant fans.
In the wake of these fine musicians, a low roar hummed throughout the theatre in excitement awaiting The Gaslight Anthem. Then, as the lights went dim and shapes moved onto centre stage that low roar became an insatiable boom.
The Gaslight Anthem began their set with the title track from their latest album, ‘Handwritten’, which was met with passion and excitement across the venue.
After hearing the first song, it was evident that The Gaslight Anthem had gathered a large and faithful horde of fans for a damn fine reason. Namely, they can rock the house down without the fancy light show and the blinking screens around the stage. As the set progressed, you could really appreciate the stripped-back performance they put on, which was more than engaging enough for them to be the sole element of entertainment on the stage.
But, when their song ‘The 59’ Sound’ came about the airwaves, I was blown away.
It was a special moment for this publication and a special moment for any fan at the venue. The song was played so powerfully that it is now and always will be one of the most memorable songs I will ever hear.
Between the genuinely hilarious interactions with audience, The Gaslight Anthem played some of their hits such as ‘45’ and ‘Great Expectations’. Both these songs continued the utter rampage of rock that sung through the night, leaving me with ringing ears and a smile on my face.
Their generous, five song encore included all time favourite ‘The Backseat’. The song was a marvel, it turned the avid audience into a beating and pulsing entity that knew this was the final one for the night and so, along with the band they gave it everything.
An unusual feeling accompanies the end of a show carried out by The Gaslight Anthem. It’s sadness and depression. No, The Gaslight Anthem in no way put on a bad performance, rather, it’s because you know it’ll be at least another year until you can see these fine boys again.
Still, I found myself smiling despite this. It’s difficult to imagine that any another band will ever again take the stage and own it the way that The Gaslight Anthem did.
Jack White