Gay Paris - The Last Good Party (15/09/2013)
Dirty Rock n’ Roll, this is what you’re offered and this is what you shall receive when you listen to Gay Paris’ latest album ‘The Last Good Party’.
It’s ironic that the band’s latest album actually has the word ‘good’ in it, as the music featured in the album would equal to a party that would traumatize you to the inch of your bones.
‘The Last Good Party’ has two defining elements, big rock riffs that would equivalent to the folks of Rammstein and deep howling vocals that accompany the rock element graciously. The hellish guitar line that opens on ‘Ash Wednesday Boudoir Party’ leads to a drumbeat that is eventually drawn together with the vocals of Son-Of-Lemmy.
The album then sinks onto a church-like hymn with ‘Son Of A Butcher Parliament’, a lively track mix with soul. The guitar solos are carefully fixated in ‘Minotaur: Shibbloeth Brooks No Brotherhood’, before things begin to quiet down and the play list transitions into ‘The Gospel According To Blood & Bone’.
Eventually you’ll grow to tire of the band’s sound, but sometimes when distinct and unique sounds are made without variations, moments like this are bound to happen. Overall by the time you finish this album, make sure you have a bottle of whiskey and a cigarette in your hand.
Jason Cheung
It’s ironic that the band’s latest album actually has the word ‘good’ in it, as the music featured in the album would equal to a party that would traumatize you to the inch of your bones.
‘The Last Good Party’ has two defining elements, big rock riffs that would equivalent to the folks of Rammstein and deep howling vocals that accompany the rock element graciously. The hellish guitar line that opens on ‘Ash Wednesday Boudoir Party’ leads to a drumbeat that is eventually drawn together with the vocals of Son-Of-Lemmy.
The album then sinks onto a church-like hymn with ‘Son Of A Butcher Parliament’, a lively track mix with soul. The guitar solos are carefully fixated in ‘Minotaur: Shibbloeth Brooks No Brotherhood’, before things begin to quiet down and the play list transitions into ‘The Gospel According To Blood & Bone’.
Eventually you’ll grow to tire of the band’s sound, but sometimes when distinct and unique sounds are made without variations, moments like this are bound to happen. Overall by the time you finish this album, make sure you have a bottle of whiskey and a cigarette in your hand.
Jason Cheung